JTT
191 CHRYSTIE ST
NEW YORK NY 10002
212-574-8152

1985 Born, Alberta, CA

Lives and works in New York, NY

EDUCATION

2010

MFA, Studio Art, New York University Steinhardt School

2007

BFA, Drawing Major, Alberta College of Art and Design

SOLO EXHIBITIONS

2019

strings that show the wind, JTT, New York, NY

2018

His Master’s Voice, JTT at Sadie Coles for CONDO, London, UK

exhibit from a dripping personal collection, Dortmunder Kunstverein, Dortmund, DE. Curated by Oriane Durand (cat.)

Outlooks: Elaine Cameron-Weir, Storm King Art Center, Mountainville, NY. Curated by Nora Lawrence

2017

wave form walks the earth, Hannah Hoffman, Los Angeles, CA

viscera has questions about itself, New Museum, New York, NY. Curated by Natalie Bell

2016

Erotix, Andrea Rosen Gallery, New York, NY

snake with sexual interest in own tail, Venus Over Los Angeles, Los Angeles, CA

2014

Medusa, Galerie Rodolphe Janssen, Brussels, BE

Medusa, Cleveland Museum of Art, Cleveland, OH. Organized by Rose Bouthillier and the Bellwether project

venus anadyomene, Ramiken Crucible, New York, NY

2013

Elaine Cameron-Weir, Galerie Rodolphe Jannsen, Brussels, BE

Elaine Cameron-Weir, White Flag Library, St. Louis, MO. Curated by Sam Korman

2012

Venus Over The Sun, Desaga, Cologne, DE

Not known to be used by any form of life, Ramiken Crucible, New York, NY

2011

Sculptor Galaxy, Possible Projects, Philadelphia, PA

without true bazaars, Ramiken Crucible, New York, NY

SELECT GROUP EXHIBITIONS

2019

A Detached Hand, Magenta Plains, New York, NY

I campi magnetici, Gió Marconi, Milan, IT. Curated by Cecilia Alemani

2018

Hardcore Erotic Art, Ramiken Crucible, New York, NY

III: HeavyShield, Knowles, Cameron-Weir, Remai Modern, Saskatoon, CA. Curated by Rose Bouthillier

Arts Alumni, The Commons Gallery, New York University, New York, NY. Curated by Chrissie Iles

In The Reading Room of Hell, A Plus A Gallery, Venice, IT. Curated by NOVEL

2017

Contingencies: Arte Povera and After, Luxembourg & Dayan, New York, NY. Curated by Jody Graf (cat.)

Trip of the Tongue, Simon Lee Gallery, Hong Kong, CN. Curated by Piper Marshall

Dirge, JTT, New York, NY

Frieze Projects, Randall’s Island, New York, NY. Curated by Cecilia Alemani

2016

Le Grand Balcon, Montreal Bienniale, Musée d’art contemporain de Montréal, Montreal, CA. Curated by Philippe Pirotte

More Than Lovers, More Than Friends, Futura Center for Contemporary Art, Prague, CZ. Curated by Jo-ey Tang

Pièces - Muebles, Patrick Seguin, Paris, FR. Curated by Bob Nickas

Fellbach Trienniel of Small Scale Sculpture, Alte Kelter Fellbach, Fellbach, DE. Curated by Susanne Gaensheimer (cat.)

Fétiche, Venus over Manhattan, New York, NY

2015

Two Steps Forward, 47 Canal, New York, NY

Pet Semetary, Shoot the Lobster, New York, NY

The boys the girls and the political, Lisson Gallery, London, UK. Curated by Hana Noorali and Lynton Talbot

Relational Changes, Christine König Galerie, Vienna, AT. Curated by _Cointemporary

2014

...and the stage darkens (or his voice is a big whale), Laure Genillard, London, UK

Flat Neighbors, Rachel Uffner, New York, NY. Curated by Ajay Kurian

Mississippi, Galleria d’Arte Moderna e Contemporanea, Bergamo, IT. Organized by Sam Korman (cat.)

Another, Once Again, Many Times More, Martos Gallery, East Marion, NY. Curated by Bob Nickas

‘From whose ground heaven and hell compare’, Croy Nielsen, Berlin, DE. Curated by Ben Schumacher

BLOOMINGTON: MALL OF AMERICA, NORTH SIDE OF FOOD COURT, ACROSS FROM
BURGER KING & THE BANK OF PAYPHONES THAT DON’T TAKE INCOMING CALLS
, Bortolami, New York, NY

Objects of Desire, Philadelphia Museum of Art, Philadelphia, PA. Organized by Adelina Vlas

Garage Show, JTT, New York, NY

2013

LAT. 41° 7’ N., LONG. 72° 19’ W, Martos Gallery, East Marion, NY. Organized by Bob Nickas

Haptic Translations, OHWOW, Los Angeles, CA. Curated by Christine Messineo

Spectrum Suite, Nicelle Beauchene Gallery, New York, NY

Introduction Procedure, Art Concept, Paris, FR

Forming the Loss in Darkness, Praz-Delavallade, Paris, FR. Curated by Jo-ey Tang

Turnkey of Forever After, Bed-Stuy Love Affair, Brooklyn, NY

2012

Out of the Blue, Bortolami Gallery, New York, NY

Two Coffees, Two Brandies, Denniston Hill Residency, Woodridge, NY. Curated by Carlos Reyes

WEIGHTS & MEASURES, Eleven Rivington, New York, NY

Creature From the Blue Lagoon, Martos Gallery, Bridgehampton, NY. Organized by Bob Nickas

STRAIGHT UP, Family Business, New York, NY

III, Robin Cameron/Elaine Cameron-Weir/Rochelle Goldberg, Martos Gallery, New York, NY

1867 1881 1981, collaborative show by Ben Schumacher, Bodega, Philadelphia, PA

Cave-in, Arcillas, Puerto Rico, US. Outdoor show organized by Ramiken Crucible (cat.)

2011

The 2011 Bridgehampton Biennial, Bridgehampton, NY. Curated by Bob Nickas (cat.)

Perfectly Damaged, Derek Eller Gallery, New York, NY

Correspondence, two person show with selected works of Hol Quentel, Kathleen Cullen Fine Arts, New York, NY

2010

Inaugural, Mouthful of Poison, Ramiken Crucible, New York, NY

Black Mondays: Good Vision, Kathleen Cullen Fine Arts, New York, NY

S(l)ummering on Madison Avenue, Notary Public, New York, NY. Curated by Jo-ey Tang

MIN, Regina Rex, Brooklyn, NY. Curated by Eli Ping

BIBLIOGRAPHY

2020

Korman, Sam. Elaine Cameron-Weir, Canadian Art. Winter.

2019

Chamberlain, Colby. Elaine Cameron-Weir, Artforum. December.

Karp-Evans, Elizabeth. Elaine Cameron-Weir Tells Stories With Sculpture, Cultured. November 26.

Schwendener, Martha. New York Galleries: What to See Right Now, The New York Times. October 11.

Watlington, Emily. Elaine Cameron-Weir on Halves, Pairs, and Symmetry, Art in America. October 4.

Di Liscia, Valentina. Elaine Cameron-Weir: strings that show the wind, The Brooklyn Rail. October 2.

Creahan, Daniel. New York – Elaine Cameron-Weir: “strings that show the wind” at JTT Through October 27th, 2019, Art Observed. September 17.

Moffitt, Evan. The Must-See Exhibitions in New York This Autumn, Frieze. September 13.

2018

Zeiba, Drew. Artist brings a bomb shelter to New York’s Storm King Art Center, The Architect’s Newspaper. October 12.

Johnson, Grant. Interviews: Elaine Cameron-Weir, Artforum. July 31.

Scheper, Moritz. Elaine Cameron-Weir’s Exquisite Torture, Frieze. July 20.

De Luca, Zoe. Elaine Cameron-Weir, futuristic alchemist, domus. July 3.

2017

Berardini, Andrew. Elaine Cameron-Weir’s “wave form walks the earth.” Art Agenda. November 1.

Wagley, Catherine. 5 Free Art Shows to See in L.A. This Week. LA Weekly. October 11.

Ollman, Leah. Elaine Cameron-Weir at Hannah Hoffman: Unsettling Beauty. Los Angeles Times. October 7.

Schwendener, Martha. What to See in New York Art Galleries This Week. New York Times. August 17.

Loeffler, Frances. Elaine Cameron-Weir. Cura. August.

Phillips-Amos, Georgia. The Defiant Beauty of Elaine Cameron-Weir at the New Museum. Canadian Art. May 23.

Thill, Vanessa. Elaine Cameron-Weir. Artforum. May.

Baker, Harriet. Elaine Cameron-Weir’s sculptures: sense and sensibility. Financial Times. April 29.

2016

Neuendorf, Henri. 10 Emerging Artists to Keep on Your Radar. Artnet. November 21.

Li, Jennifer S. Elaine Cameron-Weir. Art in America. June.

Wagley, Catherine. Elaine Cameron-Weir: Snake with sexual interest in own tail. LA Weekly. April 15.

Knight, Christopher. Lead jackets, copper snakeskins: The sculptural inventions of Elaine Cameron-Weir. Los Angeles Times. March 30.

Berardini, Andrew. Elaine Cameron-Weir. Artforum. March.

2015

Elaine Cameron-Weir: In Conversation with Alex Bacon. SFAQ. June 8.

2014

Interview with Elaine Cameron-Weir l Mississipi, Gamec, ATP Diary. December 12.

Tang, Jo-ey. Elaine Cameron-Weir. Artforum. October 25.

Leaver-Yap, Isla. Elaine Cameron-Weir: Metabolic décor. Mousse. May 7.

2012

Schwarting, Jen. Not Known To Be Used By Any Form Of Life. Brooklyn Rail. May 3.

Demby, Nicole. Feminine Airs and Awkward Remainders: Alexandra Bircken, Anicka Yi, and Elaine Cameron-Weir. Bomb Magazine. January 2.

2011

Bell, Natalie. Elaine Cameron-Weir. ART PAPERS. September.

Rhodes, Richard. Chopped & Screwed: Remix Redux. Canadian Art. August 4.

Newhall, Edith. Small and Fine. The Philadelphia Inquirer. July 10.

Smith, Roberta. Sculpture in High Relief. The New York Times. May 19.

Heinrich, Will. A Postscript for Holt Quentel: ‘Correspondence’ at Kathleen Cullen Fine Arts. New York Observer. April 25.

2010

Wadler, Ben. Language and Object-hood, MIN. at Regina Rex. Artcards. June.

Boothe, Kevin. Examining Truth in Materiality: An Interview with Elaine Cameron-Weir. Document Magazine. June.

COLLECTIONS

Philadelphia Museum, Philadelphia, PA

The Hammer Museum, Los Angeles, CA

Remai Modern, Saskatoon, CA

The Walker Art Center, Minneapolis, MN